The Cities
for Paul Blackburn (1926-1971)
Writing down the line of a steel bridge
you found the center of the cities
each time the gold fringed with urban decay
celebrating the bustle of days
and settled on a corner a master in thought
with a brown paper bag passed around
rejecting the post-war mania for growth
and all those lads and lasses
still drinking wine from glasses
and bleeding at the mouth
I remember little of my wounds
but do your minibus parked on campus
for the grand festival where no one came
and the marvelous poetry fights at night
when you remained mostly silent
with the secret of your dying like a glow
on all those lives just getting under way
Reading you now makes me almost cured
of my old ignorance and youth
and how the cities grew up around me
without my knowing just another blind boy
in the rush to change and everywhere
people carrying you their eyes bright
in the cities grand festivals of survival
Prayer
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea
—W.B. Yeats, “A Prayer for My Daughter”
That murderous innocence of the sea
is it dream and all that in a dream can have meaning
and all that has meaning come true
and the truth return us to some innocence
Before the brown shirts took to the streets
and carved up history with a short knife
no one believed in a false liberty
rather filled the cells with living right
but there was blood on the floor
and ideals like idols in old churches
piled against the doors of perception
And that rage for order that poets feared
as the world slipped away
was reborn a maelstrom of the impolitic
communications with the dead
So your daughter must be fifteen now
and drinking and perhaps she sleeps around
the different beds of your house
like a ghost who has attached herself to the living
You complain her poetry is red and black
with frightful hair and microphonic
in its simplicity
but she won’t be saved by Ouija boards
or whirlpools and vortexes
or that man with his trousers rolled
(he has no daughter he desires none)
but perhaps at last by the sea’s strong pull
murderous but free
George Moore’s recent collections are Children’s Drawings of the Universe (Salmon Poetry, 2015) and Saint Agnes Outside the Walls (FutureCycle, 2016). His poetry has been published by The Atlantic, Poetry, Valparaiso, Stand, Orbis, and the Colorado Review. He presently lives with his wife, a Canadian poet, on the south shore of Nova Scotia.