Antarctic Explorer
At the heart of the ridiculous, the sublime.
—Derek Mahon, “Antarctic”
Never stare into the whiteness
they had said or your blood will slow
and your mind curl round some memory
of fire that cannot be fed and may become
the memory of a child’s future
but with gray features whiskers a nose thin hair
Inside our tent the heavy wet wool freezes
thaws and freezes to take on human form
a man’s sweat becomes his personal weather
time’s clock pack ice and century-old snow
What brings us here to this edgeless edge
furthermost wastes of a wrecked planet
one step beyond where another has been
serving ourselves up on this great white plate
This is not a land of flesh and blood
but a plain of ghosts and dull-noon shadows
a placeless place where the wind
lives in the bones and days stretch like taffy
Whatever mad closeness of society
drove us to extremes here you are simple
walk out into the void to be eaten
by the whiteness and never feel again
simply to be praised by men
mad with the loose ends of all their disasters
smiling for the camera
as if they’d won
The Others
Great grandfather fled the potato famine
eating its way through the cliffs of Binevenagh
Or was it love he fled or love he ran to
something eating away inside him at seventeen
when shipping out of the Glasgow link
I can see his hand on the rail but not his face or his eyes
raised as he bends his back at the foot of Slieve Gallion
a Protestant with a strong love of God no doubt
in the plowed fields that were his saints
his cross a mouldboard on backbone and the rich peat
cuttings off Ballynahoe Bog
And then all of us others he would lend to the world
without promises or guarantees
who carry those borders in our blood
and share them at arm’s length on a weary sea
where we gather ourselves to greet us coming
A Late Poem for James Liddy
This is where we lay out the flowers
on the page with dumb letters silent marks
measuring the length of your days
like a string from an old shoe or a pencil
you have chewed through to the bone
and is that enough is that kosher
for an old Irish hound down in the mouth
at a Portland bar in 1970
singing the slosh songs of being away
and loving the irreverent
for its untold blessings and
the freedom to love who you will
The flowers wilt in the beer jar
the boy’s sister throws up again
and everyone comes round to sing
as the nights grow weary with adventures
Vodka and gin and screwdrivers
you loved the sound of and all the college funds
running a queer poet’s parties
a block from the occultist college president
But you were not old and we were
so terribly young and Baudelaire
played his dangerous games on our chemistry
his irreverent tongue in our innocent ears
And so welcome back into the world James
the dangers are still the same
when I stumble on your grave
it seems the party has just begun
George Moore’s poetry appears in The Atlantic, Poetry (Chicago), Orion, North American Review, Colorado Review, Arc, Osiris, and the Dublin Review. His collections include Saint Agnes Outside the Walls (FutureCycle Press, 2016) and Children’s Drawings of the Universe (Salmon Poetry, 2015). Nominated for six Pushcart Prizes and a finalist for The National Poetry Series, he taught for thirty years at the University of Colorado, and presently lives on the south shore of Nova Scotia.
In this issue:
Closer Look
Connie Wanek
Alan Abrams
Bruce Bennett
Matt Dennison
E.P. Fisher
Frederic Foote
Judith Fox
Peter Grandbois
Carrie Green
Will Greenway
Ted Jean
D.B. Jonas
Michael Lauchlan
Kurt Luchs
D.S. Martin
Wesley McNair
Marjorie Mir
George Moore
Jed Myers
Richard Newman
Angela Patten
Roger Pfingston
Michael Salcman
David Salner
Marjorie Stelmach
Patricia Waters
Erin Wilson