Going Bald
I hate my head. I’m always
covering it the same way
I pretend that I don’t have
opinions with my friends.
They never even wonder,
I’m sure, what lies beneath that
natural-looking piece of
agreement I carry off
so well. It’s the way they stare
at my skull that gives me pause,
as if they know all of me
in an instant. My daughter
jokingly says I look like
a naked mole-rat. She sends
pics from her phone, my baldness
now a laugh between father
and child. I love that about
her, how she says whatever
is on her mind. And she’s got
a beautiful head of hair.
The Count
The nurse clapped a container
on the counter, yanked open
a drawer, then the cupboard
where they stashed the magazines
and movies, all those glossy
picture spreads and DVDs,
with names like Playboy and Jugs
and Hustler. All I could do
was nod my head and listen
to her simple instructions,
unswallow the Yes, okay,
that had been stuck in my jaw
as she was telling me: screw
the cap on tight and then leave
the sample inside the small
metal cubby, that she’d be
right outside the door if I
needed anything, to come
out after I had finished.
But when that awkward moment
arrived, I was so red-faced
I shot past her desk without
looking up. And on my way
to the car I played over
and over all the scenes from
my own fumbling life, the ones
that ended shamefully, like
this anticlimax, ones that
should be marked with a red X,
the ones that don't stop tugging
in the bathroom of my mind
even when the cup’s half full
and I’ve nothing left to give.
Robert Fillman is the author of House Bird (Terrapin, 2022) and the chapbook November Weather Spell (Main Street Rag, 2019). His collection The Melting Point will be published in 2025 by Broadstone Books. Individual poems have appeared in Salamander, Spoon River Poetry Review, Tar River Poetry, Verse Daily, and elsewhere. He teaches at Kutztown University in eastern Pennsylvania.